BOOKS / EDITIONS

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SURVEY / WORKS

Josephine Pryde

o.T., 2001
Silbergelatineprint
39 x 39 cm
Ed. of 3

Josephine Pryde

o.T., 2001
Silbergelatineprint
39 x 39 cm
Ed. of 3

Josephine Pryde

Meteorites Powder for the Face: Beauty (II), 2007
C-Print
72 x 55 cm
Ed. of 5

Josephine Pryde

Four Bits of Rock (I), 2007
Silbergelatineprint
69 x 55 cm
2/4
Ed. of 5

 

BIOGRAPHY / GUIDE

2008 Gabriele Senn Galerie, Vienna How They Met

Biography

PDF

1967 born in Alnwick, England / lives and works in Berlin

1986-1989

Central St. Martins, London

1985-1986

Wimbledon School of Art, London

2003

Guest Professor, Academy of Fine Arts, Vienna

2006 - 2007

Dorothea Erxleben Stipendium Stipendium, Hochschule für Bildende Künste, Braunschweig

2006 - 2008

Guest Professor, Academy of Fine Arts, Vienna

since 2008

Professor for Contemporary Photography, University of the Arts, Berlin

EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS (AUSWAHL / SELECTION)

2022

Art Institute Chicago, Chicago, IL, USA

2020

Sky, Rocks & Digits, with Angela Bulloch, Simon Lee Gallery, Hong Kong
Exterior, Night, Day, Galerie Neu, Berlin

2019

Is it coping, how adapting, A Certain Lack of Incoherence, Porto, Portugal

2018

In Case My Mind Is Changing, Simon Lee Gallery, London

2017

Traces of Accessibility (with Marilyn Thompson), Goton, Paris

2015

Lapses in Thinking By the person i am, CCA Wattis, San Francisco, CA, USA
Institute of Contemporary Arts, University of Pennsylvania, PA, USA

2014

These Are Just Things I Say, They Are Not My Opinions, Arnolfini, Bristol, England
Knickers, Berlin, Galerie Temnikova & Kasela, Tallin, Estonia

2013

Frau Prüde zu Dr. Loch und Frau Sxxxx zu Dr. Ernst, Galerie der Stadt Schwaz, Schwaz, Austria

2012

Night Out, Simon Lee Gallery, London
Miss Austen Still Enjoys Photography, Kunsthalle Bern, Bern, Switzerland
Miss Austen Enjoys Photography, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany

2011

Embryos and Estate Agents: L´Art de Vivre, Chisenhale Gallery, London

2010

Therapie Thank You Thank You, MD72, Berlin
Therapie Thank You, Reena Spaulings Fine Art, New York

2009

La Vie D´Artiste, Richard Telles Fine Art, Los Angeles, CA, USA

2008

How They Met - Part 1: Mother and Her House (with Sarah Staton), Galerie Bleich-Rossi, Vienna
How They Met -Part 2: Sex (with Sarah Staton), Gabriele Senn Galerie, Vienna

2007

Hollow Inside, Galerie Neu, Berlin

2006

Maids & Magnetism, Reena Spaulings Fine Art, New York

2004

Valerie, Secession, Vienna
Brute, Reena Spaulings Fine Art, New York
Things Without Futurism, Galerie Christian Nagel, Cologne, Germany
Brains & Chains, Cubitt, London
Xavier Hufkens Galerie, Brussels

2002

Der Vogel des Jahres ist der gemeine Spatz oder Haussperling, Galerie Meerrettich, Berlin
Metalltanz, mit Michael Krebber, Steirischer Herbst, Galerie Bleich-Rossi, Graz, Austria
Costume, Galerie Neff, Frankfurt, Germany
Felicity / The Pre-Empted, mit Katharina Wulff, Galerie Neu at Cabinet, London

2001

The Hands, The New Art Center, Salisbury, England
6 a.m Summer 201, Galerie Neu, Berlin
Serena, Kunstverein Braunschweig, Germany
Galerie Gabi Senn, Vienna

2000

Honour, without money, is just a disease; Succesion, London
Marooned, Galerie Christian Nagel, Cologne, Germany

1997

Vicinage, Galerie Christian Nagel, Cologne

1996

Galerie Neu, Berlin

1995

Persuasion, Galerie Neu, Berlin

GRUPPENAUSSTELLUNGEN / GROUP EXHIBITIONS (AUSWAHL / SELECTION)

2020

Studio Berlin, Berghain, Berlin, Germany
Relax – It’s all online, Lars Friedrich, Berlin, Germany
The Sewers of Mars, Reena Spaulings Fine Art, New York, US
Präsentation and the editions, viennacontemporary 2020, Vienna

2019

Objects recognized in flashes, mumok, Vienna
Die Bucklige Verwandtschaft, Galerie Nagel Draxler, Cologne, Germany
Maskulinitäten, eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
Encore, Miguel Abreu Gallery, New York, US
Objects Recognized in Flashes, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
New Order. Art and Technology in the Twenty-First Century, The Museum of Modern Art (MoMA), New York, US
Passer-by, Fondation d'entreprise Galeries Lafayette, Paris

2018

Swingers, Greene Naftali, New York, US
The Vitalist Economy of Painting, curated by Isabelle Graw, Galerie Neu, Berlin
Personal Data Hack, Industrial Society and Its Futures, Berlin
Optik Schröder II, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Faithless Pictures, Nasjonalmuseet, Oslo

2017

Subjektiv, Malmö Konsthall, Malmö, Sweden

2016

Turner Prize 2016, Tate Britain, London
30 Years Kunsthalle Bern Foundation: A selection of the collection, Kunsthalle Bern, Switzerland
THE GEO POLITICS OF MONETIZED AIRSPACE – Come Fly with Me, I Meet you by the Airside Gucci Concession at 4, Fox Fur Hat, Midway Contemporary Art, Minneapolis, US
Response, Musée d‘art contemporain des Laurentides, SaintJerome, Quebec, Canada
The Highs of Everyday Life, Reena Spaulings Fine Art, New York, US
Das Loch, Künstlerhaus Bremen, Bremen, Germany
La Collection Thea Westreich Wagner et Ethan Wagner, Whitney Museum of American Art, New York, US and Centre Pompidou, Paris
How We Live and How We Might Live, curated by Matthew Richardson & Anna Susanna Woof, London
Unangenehme Gefühle I, ACUD Macht Neu, Berlin
ich, du, er/sie/es, Kunstverein Leipzig, Leipzig, Germany
wir, ihr, sie, Kunstverein Leipzig, Lepizig, Germany
The 9th Berlin Biennale for Contemporary Art, The Feuerle Collection, Berlin

2015

FIND YOUR BEACH, KURATOR – Gebert Stiftung für Kultur, Rapperswil, Switzerland
Windows Hung With Shutters, RaebervonStenglin, Zurich
Faux Amis, Simon Lee Gallery, London
International Photography Exhibition Gjon Mili 2015, National Gallery of Kosovo, Kosovo
Animal Photographers, Acud Macht Neu, Berlin
Triennial of Photography Hamburg: The Day Will Come – When Photography Revises, Kunstverein in Hamburg, Hamburg, Germany
Container and Contained, Künstlerhaus Stuttgart, Stuttgart, Germany
Land’s End, Bodega, New York

2014

Die Marmory Show, Deborah Schmoni Galerie, Munich, Germany
Ordinary freaks. Das Prinzip Coolness in Popkultur, Theater und Museum, Halle für Kunst und Medien, Graz, Germany
One Shots and Imagines, Downtown Photoroom, Los Angeles, US
curated by_vienna 2014, The Century of the Bed, Galerie Emanuel Layr, Vienna
Theatre and Museum, Kunstlerhaus, Graz, Austria
Galerie Neu a La Douane, Galerie Chantal Crousel, Paris
@ the shrink, Shanaynay, Paris
je suis féministe, Unit 21, Penarth Centre, London

2013

Xerogrpahy, Firstsite, Colchester, England
The Door Between Either And Or Part 1, Kunstverein München, Munich, Germany
New Photography 2013: Adam Broomberg and Oliver Chanarin, Brendan Fowler, Annette Kelm, Lisa Oppenheim, Anna Ostoya, Josephine Pryde, Eileen Quinlan, MoMA, Museum of Modern Art, New York
Better Homes, Sculpture Center, New York
Photography now and forever, Mathew, Berlin
Kappen, Hard Hat, Geneva, Switzerland
XoXo, Nicht Gallery, Los Angeles, US
Counter-Production (Part 2), The Swedish Contemporary Art Foundation, Stockholm
Textiles: Open Letter, Städtisches Museum Abteiberg, Mönchengladbach, Germany
Photographs You Take, The Schtip, Sheffield, England
Festival der Kleinskulptur, Halle für Kunst, Lüneburg, Germany

2012

Counter-Production, Generali Foundation, Vienna
KEINE ZEIT. Erschöpftes Selbst / Entgrenztes Können, 21er Haus, Vienna
Now I am Quietly Waiting For The Catastrophe Of My Personality To Seem Beautiful Again, And Interesting, And Modern, Bortolami Gallery, New York

2011

MAKING AND ART, curated by Cosima Rainer with Anna Artaker and Christopher Meier, Stadtgalerie Schwaz, Tirol, Austria
Andreas Lærum´s Private Collection of Art. Bunker Almely, Asker, Norway
FIlms & Filming, organised by David Lieske, Bischoff Projects, Frankfurt am Main, Germanyc the Avantgarde: Madame Realism, Marres Centre for Contemporary Culture, Maastricht, Netherlands

2010

curated by_vienna 2010: Albert Oehlen, Galerie Mezzanin, Vienna
Old Ideas, kuratiert von Silberkuppe, Kunstmuseum Basel/Museum für Gegenwartskunst, Basel, Switzerland
Filmschönheit. Curated by Albert Oehlen, Galerie Gisela Capitain, Cologne, Germany

2009

PALINDROM. Oben und unten mit Rex Whistler & Friends", Hermes und der Pfau und W.O. Scheibe Museum, Stuttgart, Germany
Relax, MD72, Berlin
Olga Chernysheva & R.H. Quaytman & Josephine Pryde, Contemporary Art Museum, St. Louis, USA
Instant Melancholia, Raum 121, Frankfurt, Germany
The Front Room, Contemporary Art Museum, St. Louis, USA

2008

Buy No Wino Buy Lino By Bono, Hats Plus, London
Archeology of Mind - Morra Grcos Fondation, Fondazione Morra Greco, Neapel, Italy
Malmö Konstmuseum, Malmö, Sweden
Kuntsi, Modernin taiteen museo, Vaasa, Finland
Medien, CUC Charim Ungar Contemporary, Berlin
Madonna und wir, kuratiert von Caroline Nathusius, Galerie Christian Nagel, Berlin
L’Argent, Frac Ile-de-France, Paris
Zodiac 3000, International Project Space, Birmingham, UK
Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum, New York

2007

Angelegenheiten, die sich daraus ergeben, Künstlerhaus Bremen, Germany
Imagine Action, Lisson Gallery, London
A Year-In-Review-Lamp-Installation (by Galerie Meerrettich), Vilma Gold, London
The Enforced Dress, Nordösterreichisches Kunstraum, Vienna
Ref. Nadar Ahrimin, Matthew Ahnriman, Jonas Mekas, Jonathan Monk, Josephine Pryde, David Wojnarowicz, unosunove, Rome, Italy
Various Small Fires, Royal College of Art Galleries, London
Make Your Own Life: Artists In & Out of Cologne, Henry Art Galllery / University of Washington, Seattle, USA
Museum of Contemporary Art, North Miami, Florida, USA
Dorothea 2005-2006, Hochschule für Bildende Künste Braunschweig, Germany

2006

Concrete sausage and other team ghosts, after the butcher, Berlin
Institute of Contemporary Art/University Pennsylvania; The Power Plant, Toronto, USA
Optik Schröder. Werke aus der Sammlung Schröder, Kunstverein Braunschweig, Braunschweig, Germany
Beware of a Holy Whore, Galerie Chatal Crousel, Paris
The Dimes of March, Reena Spaulings Fine Art, New York

2005

The Top Room : A Retrospective, CHELSEA space, London
Artists’ Books, revisited, curator Matthias Herrmann, Art Metropole, Toronto And Printed Matter, New York
Temporary Import, curator Susanne Titz, Art Forum Berlin, Berlin
Été Urbain, Galerie Gabriele Senn, Vienna
Criticism Celebration, Galerie Karin Guenther/Nina Borgmann, curator David Bussel, Hamburg, Germany

2004

Sommerfotogruppenausstellung - Telepathy Curating, Galerie Merrettich, Berlin
Galerie Rauhfaser, Hamburg, Germany

2003

Messe in der Galerie, Galerie Christian Nagel, Cologne, Germany
favorites +, Fortlaan 17, Gent, Belgium
Was Sie immer über Sex wissen wollten, Galeria Academia, Salzburg, Austria
Zimmer aufräumen, Zupfgeigenhansel kommt!, Aula der Hochschule für Bildende Künste Hamburg, Hamburg

2002

Museutopia, Karl-Ernst Osthaus Museum, Hagen, Germany

2001

What´s Wrong, The Trade Apartment, London
Works on Aluminium Selected by Paper, White Cube, Bergen, Norway
Charisma, Stand, Glasgow Kunstmesse, Scottland
Jewels-in-Art, Galerie Bleich-Rossi, Graz, Austria

2000

Walk 2000, Succession, London
Coal By Any Other Name: The Journey Towards The Good Taste, American Fine Arts Co. Ltd, New York
Telescopic Memories, Orbit House, London
Cheated, A22 Projects, 22 Laystall Street, London
21st Gear, The Top Room, London
Hey, International Competition Style!, TENT, Rotterdam, Netherlands

1999

space, Witte de With, Rotterdam, Netherlands

1998

Summary, Galerie Hoffmann und Senn, Vienna
A to Z, the approach, London
Fast Forward Image, Kunstverein Hamburg, Hamburg, Germany

1997

Glockengeschrei nach Deutz, Daniel Buchholz, Cologne, Germany
La Saison II, Neu, Berlin

1995

Photoworks, The Economist Building, London

1994

Total Football, Old Knows Gallery, Nottingham, UK

1992

Trial Balloon, New York
Radio Show, Unrealized Projects, Four Walls in Artists Space, New York

1991

Inaugural Show, Trial Balloon, with Nicola Tyson, Sarah Staton, Siobhan Liddell, New York
The Archaeology of Silence, 147 Hornsey Road N7, London

1989

Performance as part of Audio Arts Placement and Recognition, MOMA, Oxford, UK

TEXTS BY JOSEPHINE PRYDE

2005

It’s Beyond My Control, Merlin Carpenter at Kunsthall Bergen, in: Texte zur Kunst Nr. 58, S. 175-180

2003

Dream On. Die Politik des Tagtraums, in: Texte zur Kunst, Nr. 52, Dez. 2003, S. 86-92

2001

In My Solitude, (Steven Meisel, Four Days in L.A. The Versace Pictures), in: Texte zur Kunst, Nr. 44, Dezember 2001, S. 189-194
Blue Period, (Sarah Staton, Anti-paintings), Art Lab, London, 2001
DIAL, Sumer Issue, Herausgeberin: New School Online University, The New School University, New York, www.dialnsa.edu/magaz.9 htm
Inside this Horizon, in: Made in USA, Nr. 3, 2001, S. 76

2000

10 x 10 Ausstellungen, Texte zur Kunst, Nr. 40
In circulation, (Sarah Morris), in: Twisted Urban and Visonary Landscapes in Contemporary Painting, Van Abbe Museum, Eindhoven 2000, S. 45-47
Erste Schritte, (Michael Clark Company, current/SEE), in: Texte zur Kunst, Nr. 39, September 2000, S. 64-70
Merlin Carpenter at Secession, Vienna, in: Modern Painters, Vol. 13, No.2, Sommer 2000, S. 52
What Do You Want To Do With Your Spade?, in: Cosima von Bonin, The Cousins, Kunstverein Braunschweig 2000, S. 25-27
Fabienne Audéoud De-learning the piano, in: Work and Leisure International, Trice publication (Ed.), Manchester 1999 (catalogue)

1999

Sarah Staton, blue jeans, London, Texte zur Kunst No.36
Jane & Louise Wilson in der Serpentine Gallery, London, Texte zur Kunst Nr. 36
Besprechung von Sarah Morris in Oxford MOMA, Texte zur Kunst Nr. 35
Grenzmarken, (Fareed Armay, From/To), Texte zur Kunst Nr. 34, Juni/Juli 1999, S. 197-201
Key Debates, Everything 3.2
Shortcuts Baustop.Randstadt, in der NGBK Berlin, Texte zur Kunst Nr. 32
Corporate Chic, in: Texte zur Kunst, Nr. 35, September 1999, S. 306-311

1998

Katharina Wulff, Kunstverein Bremerhaven 1998 (catalogue)

1997

Discovering an Innate Sense, in: Texte zur Kunst Nr. 25, März 1997, S. 63-71

1995

Standbesprechung: Michael Krebber bei Christian Nagel, in: Texte zur Kunst Nr. 19, August 1995, S. 131-133

1993

Writing out of my armpit, in: Texte zur Kunst Nr. 11, September 1993, S. 188-192

1990

Tracking Zones, Text- und Photobuch, moo.shwär´roo ltd (Hrsg), 1990

BOOKS

2016

Photography at MoMA 1960 – Now, Moma, New York, US

2015

Contemporary Art Germany, Austria and Switzerland, Black Dog Publishing, London, UK

2005

M. Krebber, D. Baumann, Artists’ Books Revisited, Art Metropole, Toronto, CA

1999

B. Marl, From #1, Witte de With, Rotterdam, NL

1990

j. Pryde, Tracking Zones, moo.shwär’ roo ltd

CATALOGUES

2016

Turner Prize 2016, Linsey Young and Laura Smith, Tate Britain, London, UK (2016)
Thea Westreich Wagner et Ethan Wagner II The Collection, Centre Pompidou, Paris, FR (2016)

2015

The Enjoyment of Photography, Kunsthalle Bern, CH (2015)

2008

Zodiac 3000, Dr. Robert Laing and Karen Novotny, International Project Space, Birmingham, UK (2008)

2007

Various Small Fires, Royal College of Art, London, UK (2007)
The Enforced Dress, Kunstraum Niederoesterreich, Vienna, AT (2007)

2006

Make Your Own Life, ICA Philadelphia, PA, US (2006)

2005

Artists’ Books Revisited, publisher Art Metropole (2005)
The Top Room, publisher Jeremy Glogan, Chelsea Space, London, UK (2005)

2004

Valerie, Secession, Vienna, AT (2004)

2001

Serena, Kunstverein Braunschweig, DE (2001)
Jewels-in-Art, publisher Galerie Bleich-Rossi, Graz, AT (2001)

1997

Glockengeschrei nach Deutz, publisher Cosima von Bonin, Daniel Buchholz, Christopher Mueller (1997)

1991

The Archaeology of Silence, publisher Monika Oechsler (1991)

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