Central St. Martins, London

Wimbledon School of Art, London

Guest Professor, Academy of Fine Arts, Vienna

Dorothea Erxleben Stipendium Stipendium, Hochschule für Bildende Künste, Braunschweig

Guest Professor, Academy of Fine Arts, Vienna

Professor for Contemporary Photography, University of the Arts, Berlin

Art Institute Chicago, Chicago, IL, USA

Sky, Rocks & Digits, with Angela Bulloch, Simon Lee Gallery, Hong Kong
Exterior, Night, Day, Galerie Neu, Berlin

Is it coping, how adapting, A Certain Lack of Incoherence, Porto, Portugal

In Case My Mind Is Changing, Simon Lee Gallery, London

Traces of Accessibility (with Marilyn Thompson), Goton, Paris

Lapses in Thinking By the person i am, CCA Wattis, San Francisco, CA, USA
Institute of Contemporary Arts, University of Pennsylvania, PA, USA

These Are Just Things I Say, They Are Not My Opinions, Arnolfini, Bristol, England
Knickers, Berlin, Galerie Temnikova & Kasela, Tallin, Estonia

Frau Prüde zu Dr. Loch und Frau Sxxxx zu Dr. Ernst, Galerie der Stadt Schwaz, Schwaz, Austria

Night Out, Simon Lee Gallery, London
Miss Austen Still Enjoys Photography, Kunsthalle Bern, Bern, Switzerland
Miss Austen Enjoys Photography, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany

Embryos and Estate Agents: L´Art de Vivre, Chisenhale Gallery, London

Therapie Thank You Thank You, MD72, Berlin
Therapie Thank You, Reena Spaulings Fine Art, New York

La Vie D´Artiste, Richard Telles Fine Art, Los Angeles, CA, USA

How They Met - Part 1: Mother and Her House (with Sarah Staton), Galerie Bleich-Rossi, Vienna
How They Met -Part 2: Sex (with Sarah Staton), Gabriele Senn Galerie, Vienna

Hollow Inside, Galerie Neu, Berlin

Maids & Magnetism, Reena Spaulings Fine Art, New York

Valerie, Secession, Vienna
Brute, Reena Spaulings Fine Art, New York
Things Without Futurism, Galerie Christian Nagel, Cologne, Germany
Brains & Chains, Cubitt, London
Xavier Hufkens Galerie, Brussels

Der Vogel des Jahres ist der gemeine Spatz oder Haussperling, Galerie Meerrettich, Berlin
Metalltanz, mit Michael Krebber, Steirischer Herbst, Galerie Bleich-Rossi, Graz, Austria
Costume, Galerie Neff, Frankfurt, Germany
Felicity / The Pre-Empted, mit Katharina Wulff, Galerie Neu at Cabinet, London

The Hands, The New Art Center, Salisbury, England
6 a.m Summer 201, Galerie Neu, Berlin
Serena, Kunstverein Braunschweig, Germany
Galerie Gabi Senn, Vienna

Honour, without money, is just a disease; Succesion, London
Marooned, Galerie Christian Nagel, Cologne, Germany

Vicinage, Galerie Christian Nagel, Cologne

Galerie Neu, Berlin

Persuasion, Galerie Neu, Berlin

Studio Berlin, Berghain, Berlin, Germany
Relax – It’s all online, Lars Friedrich, Berlin, Germany
The Sewers of Mars, Reena Spaulings Fine Art, New York, US
Präsentation and the editions, viennacontemporary 2020, Vienna

Objects recognized in flashes, mumok, Vienna
Die Bucklige Verwandtschaft, Galerie Nagel Draxler, Cologne, Germany
Maskulinitäten, eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
Encore, Miguel Abreu Gallery, New York, US
Objects Recognized in Flashes, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
New Order. Art and Technology in the Twenty-First Century, The Museum of Modern Art (MoMA), New York, US
Passer-by, Fondation d'entreprise Galeries Lafayette, Paris

Swingers, Greene Naftali, New York, US
The Vitalist Economy of Painting, curated by Isabelle Graw, Galerie Neu, Berlin
Personal Data Hack, Industrial Society and Its Futures, Berlin
Optik Schröder II, mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Faithless Pictures, Nasjonalmuseet, Oslo

Subjektiv, Malmö Konsthall, Malmö, Sweden

Turner Prize 2016, Tate Britain, London
30 Years Kunsthalle Bern Foundation: A selection of the collection, Kunsthalle Bern, Switzerland
THE GEO POLITICS OF MONETIZED AIRSPACE – Come Fly with Me, I Meet you by the Airside Gucci Concession at 4, Fox Fur Hat, Midway Contemporary Art, Minneapolis, US
Response, Musée d‘art contemporain des Laurentides, SaintJerome, Quebec, Canada
The Highs of Everyday Life, Reena Spaulings Fine Art, New York, US
Das Loch, Künstlerhaus Bremen, Bremen, Germany
La Collection Thea Westreich Wagner et Ethan Wagner, Whitney Museum of American Art, New York, US and Centre Pompidou, Paris
How We Live and How We Might Live, curated by Matthew Richardson & Anna Susanna Woof, London
Unangenehme Gefühle I, ACUD Macht Neu, Berlin
ich, du, er/sie/es, Kunstverein Leipzig, Leipzig, Germany
wir, ihr, sie, Kunstverein Leipzig, Lepizig, Germany
The 9th Berlin Biennale for Contemporary Art, The Feuerle Collection, Berlin

FIND YOUR BEACH, KURATOR – Gebert Stiftung für Kultur, Rapperswil, Switzerland
Windows Hung With Shutters, RaebervonStenglin, Zurich
Faux Amis, Simon Lee Gallery, London
International Photography Exhibition Gjon Mili 2015, National Gallery of Kosovo, Kosovo
Animal Photographers, Acud Macht Neu, Berlin
Triennial of Photography Hamburg: The Day Will Come – When Photography Revises, Kunstverein in Hamburg, Hamburg, Germany
Container and Contained, Künstlerhaus Stuttgart, Stuttgart, Germany
Land’s End, Bodega, New York

Die Marmory Show, Deborah Schmoni Galerie, Munich, Germany
Ordinary freaks. Das Prinzip Coolness in Popkultur, Theater und Museum, Halle für Kunst und Medien, Graz, Germany
One Shots and Imagines, Downtown Photoroom, Los Angeles, US
curated by_vienna 2014, The Century of the Bed, Galerie Emanuel Layr, Vienna
Theatre and Museum, Kunstlerhaus, Graz, Austria
Galerie Neu a La Douane, Galerie Chantal Crousel, Paris
@ the shrink, Shanaynay, Paris
je suis féministe, Unit 21, Penarth Centre, London

Xerogrpahy, Firstsite, Colchester, England
The Door Between Either And Or Part 1, Kunstverein München, Munich, Germany
New Photography 2013: Adam Broomberg and Oliver Chanarin, Brendan Fowler, Annette Kelm, Lisa Oppenheim, Anna Ostoya, Josephine Pryde, Eileen Quinlan, MoMA, Museum of Modern Art, New York
Better Homes, Sculpture Center, New York
Photography now and forever, Mathew, Berlin
Kappen, Hard Hat, Geneva, Switzerland
XoXo, Nicht Gallery, Los Angeles, US
Counter-Production (Part 2), The Swedish Contemporary Art Foundation, Stockholm
Textiles: Open Letter, Städtisches Museum Abteiberg, Mönchengladbach, Germany
Photographs You Take, The Schtip, Sheffield, England
Festival der Kleinskulptur, Halle für Kunst, Lüneburg, Germany

Counter-Production, Generali Foundation, Vienna
KEINE ZEIT. Erschöpftes Selbst / Entgrenztes Können, 21er Haus, Vienna
Now I am Quietly Waiting For The Catastrophe Of My Personality To Seem Beautiful Again, And Interesting, And Modern, Bortolami Gallery, New York

MAKING AND ART, curated by Cosima Rainer with Anna Artaker and Christopher Meier, Stadtgalerie Schwaz, Tirol, Austria
Andreas Lærum´s Private Collection of Art. Bunker Almely, Asker, Norway
FIlms & Filming, organised by David Lieske, Bischoff Projects, Frankfurt am Main, Germanyc the Avantgarde: Madame Realism, Marres Centre for Contemporary Culture, Maastricht, Netherlands

curated by_vienna 2010: Albert Oehlen, Galerie Mezzanin, Vienna
Old Ideas, kuratiert von Silberkuppe, Kunstmuseum Basel/Museum für Gegenwartskunst, Basel, Switzerland
Filmschönheit. Curated by Albert Oehlen, Galerie Gisela Capitain, Cologne, Germany

PALINDROM. Oben und unten mit Rex Whistler & Friends", Hermes und der Pfau und W.O. Scheibe Museum, Stuttgart, Germany
Relax, MD72, Berlin
Olga Chernysheva & R.H. Quaytman & Josephine Pryde, Contemporary Art Museum, St. Louis, USA
Instant Melancholia, Raum 121, Frankfurt, Germany
The Front Room, Contemporary Art Museum, St. Louis, USA

Buy No Wino Buy Lino By Bono, Hats Plus, London
Archeology of Mind - Morra Grcos Fondation, Fondazione Morra Greco, Neapel, Italy
Malmö Konstmuseum, Malmö, Sweden
Kuntsi, Modernin taiteen museo, Vaasa, Finland
Medien, CUC Charim Ungar Contemporary, Berlin
Madonna und wir, kuratiert von Caroline Nathusius, Galerie Christian Nagel, Berlin
L’Argent, Frac Ile-de-France, Paris
Zodiac 3000, International Project Space, Birmingham, UK
Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum, New York

Angelegenheiten, die sich daraus ergeben, Künstlerhaus Bremen, Germany
Imagine Action, Lisson Gallery, London
A Year-In-Review-Lamp-Installation (by Galerie Meerrettich), Vilma Gold, London
The Enforced Dress, Nordösterreichisches Kunstraum, Vienna
Ref. Nadar Ahrimin, Matthew Ahnriman, Jonas Mekas, Jonathan Monk, Josephine Pryde, David Wojnarowicz, unosunove, Rome, Italy
Various Small Fires, Royal College of Art Galleries, London
Make Your Own Life: Artists In & Out of Cologne, Henry Art Galllery / University of Washington, Seattle, USA
Museum of Contemporary Art, North Miami, Florida, USA
Dorothea 2005-2006, Hochschule für Bildende Künste Braunschweig, Germany

Concrete sausage and other team ghosts, after the butcher, Berlin
Institute of Contemporary Art/University Pennsylvania; The Power Plant, Toronto, USA
Optik Schröder. Werke aus der Sammlung Schröder, Kunstverein Braunschweig, Braunschweig, Germany
Beware of a Holy Whore, Galerie Chatal Crousel, Paris
The Dimes of March, Reena Spaulings Fine Art, New York

The Top Room : A Retrospective, CHELSEA space, London
Artists’ Books, revisited, curator Matthias Herrmann, Art Metropole, Toronto And Printed Matter, New York
Temporary Import, curator Susanne Titz, Art Forum Berlin, Berlin
Été Urbain, Galerie Gabriele Senn, Vienna
Criticism Celebration, Galerie Karin Guenther/Nina Borgmann, curator David Bussel, Hamburg, Germany

Sommerfotogruppenausstellung - Telepathy Curating, Galerie Merrettich, Berlin
Galerie Rauhfaser, Hamburg, Germany

Messe in der Galerie, Galerie Christian Nagel, Cologne, Germany
favorites +, Fortlaan 17, Gent, Belgium
Was Sie immer über Sex wissen wollten, Galeria Academia, Salzburg, Austria
Zimmer aufräumen, Zupfgeigenhansel kommt!, Aula der Hochschule für Bildende Künste Hamburg, Hamburg

Museutopia, Karl-Ernst Osthaus Museum, Hagen, Germany

What´s Wrong, The Trade Apartment, London
Works on Aluminium Selected by Paper, White Cube, Bergen, Norway
Charisma, Stand, Glasgow Kunstmesse, Scottland
Jewels-in-Art, Galerie Bleich-Rossi, Graz, Austria

Walk 2000, Succession, London
Coal By Any Other Name: The Journey Towards The Good Taste, American Fine Arts Co. Ltd, New York
Telescopic Memories, Orbit House, London
Cheated, A22 Projects, 22 Laystall Street, London
21st Gear, The Top Room, London
Hey, International Competition Style!, TENT, Rotterdam, Netherlands

space, Witte de With, Rotterdam, Netherlands

Summary, Galerie Hoffmann und Senn, Vienna
A to Z, the approach, London
Fast Forward Image, Kunstverein Hamburg, Hamburg, Germany

Glockengeschrei nach Deutz, Daniel Buchholz, Cologne, Germany
La Saison II, Neu, Berlin

Photoworks, The Economist Building, London

Total Football, Old Knows Gallery, Nottingham, UK

Trial Balloon, New York
Radio Show, Unrealized Projects, Four Walls in Artists Space, New York

Inaugural Show, Trial Balloon, with Nicola Tyson, Sarah Staton, Siobhan Liddell, New York
The Archaeology of Silence, 147 Hornsey Road N7, London

Performance as part of Audio Arts Placement and Recognition, MOMA, Oxford, UK

It’s Beyond My Control, Merlin Carpenter at Kunsthall Bergen, in: Texte zur Kunst Nr. 58, S. 175-180

Dream On. Die Politik des Tagtraums, in: Texte zur Kunst, Nr. 52, Dez. 2003, S. 86-92

In My Solitude, (Steven Meisel, Four Days in L.A. The Versace Pictures), in: Texte zur Kunst, Nr. 44, Dezember 2001, S. 189-194
Blue Period, (Sarah Staton, Anti-paintings), Art Lab, London, 2001
DIAL, Sumer Issue, Herausgeberin: New School Online University, The New School University, New York, www.dialnsa.edu/magaz.9 htm
Inside this Horizon, in: Made in USA, Nr. 3, 2001, S. 76

10 x 10 Ausstellungen, Texte zur Kunst, Nr. 40
In circulation, (Sarah Morris), in: Twisted Urban and Visonary Landscapes in Contemporary Painting, Van Abbe Museum, Eindhoven 2000, S. 45-47
Erste Schritte, (Michael Clark Company, current/SEE), in: Texte zur Kunst, Nr. 39, September 2000, S. 64-70
Merlin Carpenter at Secession, Vienna, in: Modern Painters, Vol. 13, No.2, Sommer 2000, S. 52
What Do You Want To Do With Your Spade?, in: Cosima von Bonin, The Cousins, Kunstverein Braunschweig 2000, S. 25-27
Fabienne Audéoud De-learning the piano, in: Work and Leisure International, Trice publication (Ed.), Manchester 1999 (catalogue)

Sarah Staton, blue jeans, London, Texte zur Kunst No.36
Jane & Louise Wilson in der Serpentine Gallery, London, Texte zur Kunst Nr. 36
Besprechung von Sarah Morris in Oxford MOMA, Texte zur Kunst Nr. 35
Grenzmarken, (Fareed Armay, From/To), Texte zur Kunst Nr. 34, Juni/Juli 1999, S. 197-201
Key Debates, Everything 3.2
Shortcuts Baustop.Randstadt, in der NGBK Berlin, Texte zur Kunst Nr. 32
Corporate Chic, in: Texte zur Kunst, Nr. 35, September 1999, S. 306-311

Katharina Wulff, Kunstverein Bremerhaven 1998 (catalogue)

Discovering an Innate Sense, in: Texte zur Kunst Nr. 25, März 1997, S. 63-71

Standbesprechung: Michael Krebber bei Christian Nagel, in: Texte zur Kunst Nr. 19, August 1995, S. 131-133

Writing out of my armpit, in: Texte zur Kunst Nr. 11, September 1993, S. 188-192

Tracking Zones, Text- und Photobuch, moo.shwär´roo ltd (Hrsg), 1990

Photography at MoMA 1960 – Now, Moma, New York, US

Contemporary Art Germany, Austria and Switzerland, Black Dog Publishing, London, UK

M. Krebber, D. Baumann, Artists’ Books Revisited, Art Metropole, Toronto, CA

B. Marl, From #1, Witte de With, Rotterdam, NL

j. Pryde, Tracking Zones, moo.shwär’ roo ltd

Turner Prize 2016, Linsey Young and Laura Smith, Tate Britain, London, UK (2016)
Thea Westreich Wagner et Ethan Wagner II The Collection, Centre Pompidou, Paris, FR (2016)

The Enjoyment of Photography, Kunsthalle Bern, CH (2015)

Zodiac 3000, Dr. Robert Laing and Karen Novotny, International Project Space, Birmingham, UK (2008)

Various Small Fires, Royal College of Art, London, UK (2007)
The Enforced Dress, Kunstraum Niederoesterreich, Vienna, AT (2007)

Make Your Own Life, ICA Philadelphia, PA, US (2006)

Artists’ Books Revisited, publisher Art Metropole (2005)
The Top Room, publisher Jeremy Glogan, Chelsea Space, London, UK (2005)

Valerie, Secession, Vienna, AT (2004)

Serena, Kunstverein Braunschweig, DE (2001)
Jewels-in-Art, publisher Galerie Bleich-Rossi, Graz, AT (2001)

Glockengeschrei nach Deutz, publisher Cosima von Bonin, Daniel Buchholz, Christopher Mueller (1997)

The Archaeology of Silence, publisher Monika Oechsler (1991)