BOOKS / EDITIONS

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PAST EXHIBITIONS

SURVEY / WORKS

BIOGRAPHY / GUIDE

2008 Gabriele Senn Galerie, Vienna How They Met

Biography

1967 born in Alnwick, England / lives and works in Berlin

1986-1989

Central St. Martins, London

1985-1986

Wimbledon School of Art, London

2003

Guest Professor, Klasse für Kunst und Photographie, Akademie der Bildenden Künste, Wien

2006 - 2007

Dorothea Erxleben Stipendium Stipendium, Hochschule für Bildende Künste, Braunschweig

2006 - 2008

Guest Professor, Academy of Fine Arts, Vienna

since 2008

Professor for Contemporary Photography, University of the Arts, Berlin

SOLO EXHIBITIONS (selection)

2022

Art Institute Chicago, Chicago, IL, USA (upcoming, postponed from August 2020)

2020

"Sky, Rocks & Digits", with Angela Bulloch, Simon Lee Gallery, Hong Kong "Exterior, Night, Day", Galerie Neu, Berlin, DE

2019

"Is it coping, how adapting", A Certain Lack of Incoherence, Porto, PT.

2018

"In Case My Mind Is Changing", Simon Lee Gallery, London, UK.

2017

"Traces of Accessibility", Goton, Paris, FR (with Marilyn Thompson).

2015

"Lapses in Thinking By the person i am", CCA Wattis, San Francisco, CA; Institute of Contemporary Arts, University of Pennsylvania, PA, US.

2014

"These Are Just Things I Say, They Are Not My Opinions", Arnolfini, Bristol. "Knickers, Berlin", Galerie Temnikova & Kasela, Tallin.

2013

"Frau Prüde zu Dr. Loch und Frau Sxxxx zu Dr. Ernst", Galerie der Stadt Schwaz, Schwaz.

2012

"Night Out", Simon Lee Gallery, London. "Miss Austen Still Enjoys Photography", Kunsthalle Bern, Bern. "Miss Austen Enjoys Photography", Kunstverein für die Rheinlande und Westfalen, Düsseldorf.

2011

"Embryos and Estate Agents: L´Art de Vivre", Chisenhale Gallery, London.

2010

"Therapie Thank You Thank You", MD72, Berlin. "Therapie Thank You", Reena Spaulings Fine Art, New York.

2009

"La Vie D´Artiste", Richard Telles Fine Art, Los Angeles.

2008

"How They Met - Part 1: Mother and Her House", (mit Sarah Staton), Galerie Bleich-Rossi, Wien. "How They Met -Part 2: Sex", (mit Sarah Staton), Gabriele Senn Galerie, Wien.

2007

"Hollow Inside", Galerie Neu, Berlin.

2006

"Maids & Magnetism", Reena Spaulings Fine Art, New York.

2004

"Valerie", Secession, Wien (Katalog). "Brute", Reena Spaulings Fine Art, New York. "Things Without Futurism", Galerie Christian Nagel, Köln. "Brains & Chains", Cubitt, London. Xavier Hufkens Galerie, Brüssel.

2002

"Der Vogel des Jahres ist der gemeine Spatz oder Haussperling", Galerie Meerrettich, Berlin. "Metalltanz", mit Michael Krebber, Steirischer Herbst, Galerie Bleich-Rossi, Graz. "Costume", Galerie Neff, Frankfurt. "Felicity / The Pre-Empted", mit Katharina Wulff, Galerie Neu at Cabinet, London.

2001

"The Hands", The New Art Center, Salisbury. "6 a.m Summer 201", Galerie Neu, Berlin. "Serena", Kunstverein Braunschweig, (Katalog). Galerie Gabi Senn, Wien.

2000

"Honour, without money, is just a disease"; Succesion, London. "Marooned", Galerie Christian Nagel, Köln.

1997

"Vicinage", Galerie Christian Nagel, Köln.

1996

Galerie Neu, Berlin.

1995

"Persuasion", Galerie Neu, Berlin.

GROUP EXHIBITIONS (selection)

2020

"Studio Berlin", Berghain, Berlin, DE "Relax – It’s all online", Lars Friedrich, Berlin, DE "The Sewers of Mars", Reena Spaulings Fine Art, New York, US Präsentation and the editions, and the editions, viennacontemporary 2020

2019

"Objects recognized in flashes", mumok, Wien, AT. "Die Bucklige Verwandtschaft", Galerie Nagel Draxler, Cologne, DE. "Maskulinitäten", eine Kooperation von Bonner Kunstverein, Kölnischem Kunstverein und Kunstverein für die Rheinlande und Westfalen, Düsseldorf, DE. "Encore", Miguel Abreu Gallery, New York, NY, US. "Objects Recognized in Flashes", mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, AT. "New Order. Art and Technology in the Twenty-First Century", The Museum of Modern Art (MoMA), New York, US. "Passer-by", Fondation d'entreprise Galeries Lafayette, Paris, FR.

2018

"Swingers", Greene Naftali, New York, US. "The Vitalist Economy of Painting", curated by Isabelle Graw, Galerie Neu, Berlin, DE. "Personal Data Hack", Industrial Society and Its Futures, Berlin, DE. "Optik Schröder II", mumok – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, AT. "Faithless Pictures", Nasjonalmuseet, Oslo, NO.

2017

"Subjektiv", Malmö Konsthall, Malmö, SE.

2016

"Turner Prize 2016", Tate Britain, London, UK. "30 Years Kunsthalle Bern Foundation: A selection of the collection", Kunsthalle Bern, CH. "THE GEO POLITICS OF MONETIZED AIRSPACE – Come Fly with Me, I Meet you by the Airside Gucci Concession at 4, Fox Fur Hat", Midway Contemporary Art, Minneapolis, MN, US. "Response", Musée d‘art contemporain des Laurentides, SaintJerome, Quebec, CA. "The Highs of Everyday Life", Reena Spaulings Fine Art, New York, NY, US. "Das Loch", Künstlerhaus Bremen, Bremen, DE. "La Collection Thea Westreich Wagner et Ethan Wagner", Whitney Museum of American Art, New York, NY, US and Centre Pompidou, Paris, FR. "How We Live and How We Might Live", curated by Matthew Richardson & Anna Susanna Woof, LDN, London, UK. "Unangenehme Gefühle I", ACUD Macht Neu, Berlin, DE. "ich, du, er/sie/es", Kunstverein Leipzig, Leipzig, DE. "wir, ihr, sie", Kunstverein Leipzig, Lepizig, DE. "The 9th Berlin Biennale for Contemporary Art", The Feuerle Collection, Berlin, DE.

2015

"FIND YOUR BEACH," KURATOR – Gebert Stiftung für Kultur, Rapperswil, CH "Windows Hung With Shutters", RaebervonStenglin, Zurich, CH "Faux Amis", Simon Lee Gallery, London, UK "International Photography Exhibition Gjon Mili 2015", National Gallery of Kosovo, XK "Animal Photographers", Acud Macht Neu, Berlin, DE Triennial of Photography Hamburg: "The Day Will Come – When Photography Revises”, Kunstverein in Hamburg, DE. "Container and Contained", Künstlerhaus Stuttgart, Stuttgart, DE "Land’s End", Bodega, New York, NY, US

2014

"Die Marmory Show", Deborah Schmoni Galerie, München. "Ordinary freaks. Das Prinzip Coolness in Popkultur, Theater und Museum", Halle für Kunst und Medien, Graz. "One Shots and Imagines", Downtown Photoroom, Los Angeles. "curated by_vienna 2014, The Century of the Bed", Galerie Emanuel Layr, Wien. “Theatre and Museum”, Kunstlerhaus, Graz, Austria. Galerie Neu a La Douane, Galerie Chantal Crousel, Paris, France “@ the shrink”, Shanaynay, Paris. “je suis féministe”, Unit 21,Penarth Centre, London, UK.

2013

"Xerogrpahy", Firstsite, Colchester "The Door Between Either And Or Part 1", Kunstverein München, München "New Photography 2013: Adam Broomberg and Oliver Chanarin, Brendan Fowler, Annette Kelm, Lisa Oppenheim, Anna Ostoya, Josephine Pryde, Eileen Quinlan", MoMA, Museum of Modern Art, New York "Better Homes", Sculpture Center, New York "Photography now and forever", Mathew, Berlin "Kappen", Hard Hat, Geneva "XoXo", Nicht Gallery, Los Angeles "Counter-Production (Part 2)", The Swedish Contemporary Art Foundation, Stockholm "Textiles: Open Letter", Städtisches Museum Abteiberg, Mönchengladbach "Photographs You Take", The Schtip, Sheffield "Festival der Kleinskulptur", Halle für Kunst, Lüneburg

2012

"Counter-Production", Generali Foundation, Wien "KEINE ZEIT. Erschöpftes Selbst / Entgrenztes Können", 21er Haus, Wien “Now I am Quietly Waiting For The Catastrophe Of My Personality To Seem Beautiful Again, And Interesting, And Modern”, Bortolami Gallery, New York, NY

2011

"MAKING AND ART", curated by Cosima Rainer with Anna Artaker and Christopher Meier, Stadtgalerie Schwaz, Tirol "Andreas Lærum´s Private Collection of Art". Bunker Almely, Asker "FIlms & Filming", organised by David Lieske, Bischoff Projects, Frankfurt am Main "the Avantgarde: Madame Realism", Marres Centre for Contemporary Culture, Maastricht

2010

"curated by_vienna 2010: Albert Oehlen", Galerie Mezzanin, Wien "Old Ideas", kuratiert von Silberkuppe, Kunstmuseum Basel/Museum für Gegenwartskunst, Basel "Filmschönheit. Curated by Albert Oehlen", Galerie Gisela Capitain, Köln

2009

"PALINDROM. Oben und unten mit Rex Whistler & Friends", Hermes und der Pfau und W.O. Scheibe Museum, Stuttgart "Relax", MD72, Berlin "Olga Chernysheva & R.H. Quaytman & Josephine Pryde", Contemporary Art Museum, St. Louis "Instant Melancholia", Raum 121, Frankfurt "The Front Room", Contemporary Art Museum, St. Louis

2008

"Buy No Wino Buy Lino By Bono", Hats Plus, London "Archeology of Mind - Morra Grcos Fondation", Fondazione Morra Greco, Neapel, Malmö Konstmuseum, Malmö, Kuntsi, Modernin taiteen museo, Vaasa "Medien", CUC Charim Ungar Contemporary, Berlin "Madonna und wir", kuratiert von Caroline Nathusius, Galerie Christian Nagel, Berlin "L’Argent", Frac Ile-de-France", Paris "Zodiac 3000", International Project Space, Birmingham "Photography on Photography: Reflections on the Medium since 1960", Metropolitan Museum, New York

2007

"Angelegenheiten, die sich daraus ergeben", Künstlerhaus Bremen "Imagine Action", Lisson Gallery, London A Year-In-Review-Lamp-Installation (by Galerie Meerrettich), Vilma Gold, London "The Enforced Dress", Nordösterreichisches Kunstraum, Wien "Ref. Nadar Ahrimin, Matthew Ahnriman, Jonas Mekas, Jonathan Monk, Josephine Pryde, David Wojnarowicz", unosunove, Rom "Various Small Fires", Royal College of Art Galleries, London "Make Your Own Life: Artists In & Out of Cologne", Henry Art Galllery/University of Washington, Seattle; Museum of Contemporary Art, North Miami, Florida "Dorothea 2005-2006", Hochschule für Bildende Künste Braunschweig

2006

"Concrete sausage and other team ghosts", after the butcher", Berlin "Make Your Own Life: Artists In & Out of Cologne" Institute of Contemporary Art/University Pennsylvania; The Power Plant, Toronto. "Optik Schröder. Werke aus der Sammlung Schröder", Kunstverein Braunschweig, Braunschweig. "Beware of a Holy Whore", Galerie Chatal Crousel, Paris. "The Dimes of March", Reena Spaulings Fine Art, New York.

2005

"The Top Room : A Retrospective" , CHELSEA space, London "Artists’ Books, revisited" , curator Matthias Herrmann, Art Metropole, Toronto And Printed Matter, New York « Temporary Import », curator Susanne Titz, Art Forum Berlin "Été Urbain", Galerie Gabriele Senn, Wien "Criticism Celebration", Galerie Karin Guenther/Nina Borgmann, Hamburg, curator David Bussel

2004

"Sommerfotogruppenausstellung - Telepathy Curating", Galerie Merrettich, Berlin Galerie Rauhfaser, Hamburg

2003

"Messe in der Galerie", Galerie Christian Nagel, Köln "favorites +", Fortlaan 17, Gent "Was Sie immer über Sex wissen wollten", Galeria Academia, Salzburg "Zimmer aufräumen, Zupfgeigenhansel kommt!", Aula der Hochschule für Bildende Künste Hamburg

2002

"Museutopia", Karl-Ernst Osthaus Museum, Hagen

2001

"What´s Wrong", The Trade Apartment, London "Works on Aluminium Selected by Paper", White Cube, Bergen "Charisma", Stand, Glasgow Kunstmesse "Jewels-in-Art", Galerie Bleich-Rossi, Graz (Katalog)

2000

"Walk 2000", Succession, London "Coal By Any Other Name: The Journey Towards The Good Taste", American Fine Arts Co. Ltd, New York "Telescopic Memories", Orbit House, London "Cheated, A22 Projects", 22 Laystall Street, London "21st Gear", The Top Room, London "Hey, International Competition Style!", TENT, Rotterdam

1999

"space", Witte de With, Rotterdam (Katalog: From #1).

1998

"Summary", Galerie Hoffmann und Senn, Wien "A to Z", the approach, London "Fast Forward Image", Kunstverein Hamburg

1997

"Glockengeschrei nach Deutz", Daniel Buchholz, Köln.(Katalog) "La Saison II", Neu, Berlin

1995

"Photoworks", The Economist Building, London

1994

"Total Football", Old Knows Gallery, Nottingham

1992

Trial Balloon, New York "Radio Show, Unrealized Projects", Four Walls in Artists Space, New York

1991

"Inaugural Show",Trial Balloon, New York mit Nicola Tyson, Sarah Staton, Siobhan Liddell "The Archaeology of Silence", 147 Hornsey Road N7, London (Katalog)

1989

"Performance as part of Audio Arts Placement and Recognition", MOMA, Oxford

TEXTS BY JOSEPHINE PRYDE

2005

"It’s Beyond My Control, Merlin Carpenter at Kunsthall Bergen", in: Texte zur Kunst Nr. 58, S. 175-180.

2003

"Dream On. Die Politik des Tagtraums", in: Texte zur Kunst, Nr. 52, Dez. 2003, S. 86-92.

2001

"In My Solitude", (Steven Meisel, "Four Days in L.A. The Versace Pictures), in: Texte zur Kunst, Nr. 44, Dezember 2001, S. 189-194. "Blue Period", (Sarah Staton, Anti-paintings), Art Lab, London, 2001. "DIAL", Sumer Issue, Herausgeberin: New School Online University, The New School University, New York, www.dialnsa.edu/magaz.9 htm. "Inside this Horizon", in: Made in USA, Nr. 3, 2001, S. 76

2000

"10 x 10 Ausstellungen", Texte zur Kunst, Nr. 40. "In circulation", (Sarah Morris), in: Twisted Urban and Visonary Landscapes in Contemporary Painting, Van Abbe Museum, Eindhoven 2000, S. 45-47. "Erste Schritte", (Michael Clark Company, current/SEE), in: Texte zur Kunst, Nr. 39, September 2000, S. 64-70. "Merlin Carpenter at Secession, Vienna", in: Modern Painters, Vol. 13, No.2, Sommer 2000, S. 52.. "What Do You Want To Do With Your Spade?", in: "Cosima von Bonin, The Cousins", Kunstverein Braunschweig 2000, S. 25-27. "Fabienne Audéoud De-learning the piano", in: "Work and Leisure International", Trice publication (Ed.), Manchester 1999 (catalogue).

1999

Sarah Staton, "blue jeans", London, Texte zur Kunst No.36. Jane & Louise Wilson in der Serpentine Gallery, London, Texte zur Kunst Nr. 36. Besprechung von Sarah Morris in Oxford MOMA, Texte zur Kunst Nr. 35. "Grenzmarken", (Fareed Armay, "From/To"), Texte zur Kunst Nr. 34, Juni/Juli 1999, S. 197-201. "Key Debates", Everything 3.2. Shortcuts "Baustop.Randstadt, in der NGBK Berlin", Texte zur Kunst Nr. 32. "Corporate Chic", in: Texte zur Kunst, Nr. 35, September 1999, S. 306-311.

1998

"Katharina Wulff", Kunstverein Bremerhaven 1998 (catalogue).

1997

"Discovering an Innate Sense", in: Texte zur Kunst Nr. 25, März 1997, S. 63-71.

1995

"Standbesprechung: Michael Krebber bei Christian Nagel", in: Texte zur Kunst Nr. 19, August 1995, S. 131-133..

1993

";Writing out of my armpit", in: Texte zur Kunst Nr. 11, September 1993, S. 188-192.

1990

"Tracking Zones", Text- und Photobuch, moo.shwär´roo ltd (Hrsg), 1990.

BOOKS

2016

Photography at MoMA 1960 – Now, Moma, New York, NY, US

2015

Contemporary Art Germany, Austria and Switzerland, Black Dog Publishing, London, UK

2005

M. Krebber, D. Baumann, Artists’ Books Revisited, Art Metropole, Toronto, CA

1999

B. Marl, From #1, Witte de With, Rotterdam, NL

1990

j. Pryde, Tracking Zones, moo.shwär’ roo ltd.

CATALOGUES

2016

Turner Prize 2016, Linsey Young and Laura Smith, Tate Britain, London, UK (2016) Thea Westreich Wagner et Ethan Wagner II The Collection, Centre Pompidou, Paris, FR (2016)

2015

The Enjoyment of Photography, Kunsthalle Bern, CH (2015)

2008

Zodiac 3000, Dr. Robert Laing and Karen Novotny, International Project Space, Birmingham, UK (2008)

2007

Various Small Fires, Royal College of Art, London, UK (2007) The Enforced Dress, Kunstraum Niederoesterreich, Vienna, AT (2007)

2006

Make Your Own Life, ICA Philadelphia, PA, US (2006)

2005

Artists’ Books Revisited, publisher Art Metropole (2005) The Top Room, publisher Jeremy Glogan, Chelsea Space, London, UK (2005)

2004

Valerie, Secession, Vienna, AT (2004)

2001

Serena, Kunstverein Braunschweig, DE (2001) Jewels-in-Art, publisher Galerie Bleich-Rossi, Graz, AT (2001)

1997

Glockengeschrei nach Deutz, publisher Cosima von Bonin, Daniel Buchholz, Christopher Mueller (1997)

1991

The Archaeology of Silence, publisher Monika Oechsler (1991)

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